Author: Gabby

Przemysław Wiśniewski, the Polish center-back, has opened up about his restrained reaction after netting a late equalizer in Wednesday’s 2-2 draw with Nigeria in Warsaw. His composed response, rather than exuberant celebration, has drawn attention.

The defender admitted the moment unfolded so quickly that he had no opportunity to plan a celebration. “I didn’t have a premeditated reaction because scoring is rare for me,” Wiśniewski explained via Przegladsportowy. “I simply struck the ball, and it found the net – it was pure instinct.”

Wiśniewski’s long-range effort in the dying minutes beat Nigerian goalkeeper Maduka Okoye after Paul Onuachu’s penalty, salvaging a draw in a tightly contested friendly. This goal marked his first for Poland since making his debut against the Netherlands in September 2025, during a World Cup qualifier.

Fatigue also played a role in his muted celebration. “I was exhausted by the 90th minute, so I didn’t feel like running around; I just raised my hands. I’m happy to have scored my debut goal in such a manner,” he noted.

The 27-year-old also expressed doubts about replicating the feat, admitting he rarely practices such shots in training. “I don’t know if I’ll be able to repeat it soon. I don’t hit shots like that during practice,” he said.

Meanwhile, Nigeria’s Super Eagles will look to improve their performance as they gear up for their next friendly against Portugal.

Nigerian Afrobeats star Qing Madi has levied serious accusations against her former record label head, Joy Tongo of JTon Music, claiming the executive falsified her signature and misappropriated funds. The singer, best known for the track ‘American Love’, made these allegations during a recent TikTok livestream, asserting that Tongo is actively sabotaging her career.

According to Qing Madi, the label removed several songs from her latest album ‘Barely Legal’ from streaming services, citing an alleged breach of contract. She argued that this move is a calculated attempt to derail her success after she emerged victorious in a $2 million lawsuit that the label had filed against her. The singer expressed frustration, stating, ‘She [Tongo] took my money, signed my name without permission, and then tried to sue me for $2 million. She lost that case. Now she’s having my tracks like ‘Pepper Me’ taken down illegally, but my team proved it. So she’s found other shady ways to remove my entire project.’

Qing Madi urged her fans to speak out against what she perceives as an injustice, noting that the constant legal battles and contractual disputes are taking a toll on her. She described the experience as exhausting and called for support from the public.

In response, Joy Tongo took to Instagram to refute the claims, labeling them as ‘false statements’. Tongo denied any involvement in forging signatures or stealing money. She clarified that the case Qing Madi claims to have won is still ongoing and has not yet gone to trial. Tongo added, ‘The injunction that was granted is precisely what allows us to issue legal takedowns now. If you had truly won the case, why is it still pending in court?’ This back-and-forth highlights the deepening rift between the artist and her former management.

Nigerian music sensation Magixx has stirred conversation with his firm stance on financial dynamics within relationships. The ‘Love Don’t Cost A Dime’ hitmaker openly rejects the concept of splitting expenses 50/50, asserting that the financial burden should rest squarely on the man’s shoulders.

During a candid interview with Cool FM Lagos, Magixx elaborated on his perspective. He argued that the rule applies regardless of who initiates the relationship. Even if a woman makes the first move and invites him out, he maintains that the man should still be responsible for all costs.

“I completely oppose the 50/50 arrangement,” he stated emphatically. “In my view, the man must cover all expenses, even if the woman is the one who proposed the date or relationship.”

The singer did, however, offer a moment of self-reflection. He acknowledged that his financial comfort might influence his opinions. “I’m not certain I would hold the same belief if I weren’t wealthy,” he confessed, hinting at the complexity of the issue.

Nigerian music sensation Flavour has opened up about his personal life, explaining why he finds it challenging to be in a monogamous relationship. In a recent video interview, the artist known for hits like ‘Nabania’ admitted that he considers himself part of ‘the wild world’ and does not feel suited to belonging to just one woman.

The highlife star elaborated that while some men are ‘domesticated’ and thrive in settled relationships, he is simply not built that way. He described himself as an explorer who cannot be ‘caged’ or confined to a single partner. “I am an explorer. I belong to the wild world. I belong to the street. Some men are domesticated but I am not. We belong to the wild world. I cannot be caged,” he stated.

Flavour’s personal life reflects his stance; he has three children with two different women, both of whom are former beauty queens. His remarks have sparked discussions among fans and the public about love, commitment, and different relationship styles.

Nigerian rapper CDQ has opened up about the behind-the-scenes dynamics of the music industry, alleging that powerful cabals and cult-like groups hold significant sway. In a candid conversation with content creator JBrandy, the ‘Nowo Soke’ hitmaker expressed that artists who manage to succeed without aligning with any gang or clique are exceptionally fortunate.

According to CDQ, the industry has evolved into a system where belonging to a specific caucus or cult is almost a prerequisite for receiving support. He stated, “The music business now feels like a game where you must be part of a certain group before anyone truly assists you.”

He further explained, “If you manage to find success without any cabal or cult backing, you should count your blessings.” The rapper also warned that without such affiliations, artists risk pouring substantial resources into their careers with little to no return.

CDQ concluded by calling on artists, label executives, and all music stakeholders to break the cycle of linking gang activity with the music industry, urging a shift toward a more inclusive and merit-based environment.

Popular Nigerian comedian and reality TV star DeeOne has harshly criticized gospel singer Yinka Alaseyori for backing down from her earlier statements about national security. The controversy began when Alaseyori, during a live prayer session, encouraged Nigerians to pray for President Bola Tinubu and security forces, claiming the government was tackling insecurity. This sparked outrage amid the abduction of schoolchildren in Oyo State. She later issued a public apology via a video. DeeOne, however, insisted she had nothing to apologize for. He argued that Alaseyori spoke under divine inspiration and that her apology was driven by public pressure, not genuine conviction. He accused her of choosing to displease God in order to please people. DeeOne urged her to never repeat such a mistake and warned of spiritual consequences. He emphasized that as a minister of God, she should rely on divine guidance rather than public opinion. The comedian also referenced biblical principles, noting that she missed an opportunity to evangelize through her boldness. The full video of his rebuke has been widely shared online.